ARI Remix Living Archives & Social Memory Project – http://remix.org.au

AUSTRALIAN ARTIST-RUN INITIATIVES (ARIs) HERITAGE, REMEMBERING TOGETHER & ARCHIVING AFFECTIVELY

“Artist-Run Stories. Archives. Information. Ideas. Inspiration.
For everyone”

THE ARI REMIX LIVING ARCHIVES
& SOCIAL MEMORY PROJECT:
LOCAL COLOUR, CULTURE,
PARTICIPATION, HERITAGE

PROJECT ONE – Currently in progress
ARI Remix is a living archive project, study resource and Web 2.0 artwork #ariremix

Stage One – A QLD Remix
QLD ARIs 1980 to 1990 Nov. 2012
Completed Jun. 30 2017

Stage Two – A QLD Remix
QLD ARIs 1980 to Now
Currently in development
(Jun. 2017- Dec. 2019)

Stage Three – ARI Remix Community Archives Project: Living Archives, Artist-Runs Past Present Future A QLD Remix 1970 to Now – in progress
Jan 2020 – March 2022

PROJECT TWO –
Collectively Reframing Art Ephemera
TBA 2022

The ARI Remix collective acknowledges and respects the traditional and ongoing custodians of the lands where we live, make and work. We pay our respects to elders past, present and emerging, and acknowledge that sovereignty has never been ceded. We support the Uluru statement from the heart.

ARI Remix is a living archive; LGBTQIA+, cis, non-binary, trans and BIPOC inclusive, and involves active participation and collaborative collecting engagement by artists, artsworkers, co-creatives, peers and artist groups. It is an enthusiast-led, community-based, non-profit and art ephemera study resource and Web 2.0 art work #ariremix. It is made entirely possible through immense kindness, generosity, volunteerism and collaborative collecting efforts of over 300 Australian artists and significant arts philanthropy;

PROJECT ONE – Stages One & Two
of this project are supported by the Queensland Government through Arts Queensland and have been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Stage Three of this project is supported by the Queensland Government through Arts Queensland

ACCESS>

ARI Remix Living Archives & Social Memory Project- A Queensland Remix 1980 to Now

Photo: New York Pride Festival 1988, artist Paul Andrew

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My personal artist web site is currently in development in 2020 – 2022. Thanks for dropping by….meanwhile maybe connect to an ongoing ‘living archives’ collaborative memory project and Web 2.0 artwork we are working on this year in 2021 located at https://remix.org.au

https://remix.org.au
ARI Remix Living Archives & Social Memory project – A Queensland Remix 1970 to Now

The Re-authoring Impulse – Epicormia Collective on now at NRCG Ballina | 23 November-18 December 2016

Ossuary, Artist Jeremy Hawkes, NRCG Ballina - The Re-authoring Impulse, Epicormia Collective, Curator Artist Paul Andrew
[Photo] Ossuary, by artist Jeremy Hawkes, NRCG Ballina 2016 – The Re-authoring Impulse, Epicormia Collective organised by artist curator Paul Andrew

This month six Northern Rivers Artists inspired by the botanical term “epicormic” meaning new or adventitious growth from a dormant bud, or after trauma have responded to the epicormic concept as a lens for re-authoring through artistic practice after difficult personal experiences of trauma. This artist-run initiative includes artists Julie Barratt, Scott Trevelyan, Jeremy Hawkes, Julianne Zoviar Clunne, Marion Conrow and Paul Andrew. This artist-run collaboration also celebrates ten years of activities at Willowbank Studio in Alstonville and the extraordinary anniversary  group exhibition Decade of Catharsis.

On now until December 18, 2016

Artist Paul William Andrew, Strange Monologues (Non-Finito Remix), including works from The Hopewood Peace and Non-Violence Project 1916-2016

http://epicormiacollective.com

 

Thank you dear dark Darkslider for this evocative music for the ‘Strange Vignettes’ video artwork I made for my art installation as part of the Epicormia Collective artist-run exhibition | The Re-authoring Impulse exhibition back in 2016 !!! https://darkslidermusic.com/strange-vignettes/

 

Thank you dear Scott Trevelyan and Susie Forster for making this terrific micro doc, and for kindly sharing it on You Tube, it captures the shared feeling of epicormic joy and rapture.

 

Thank you dear artist designer and community leader Joanna Kambourian for your impassioned and unwavering support during the past decade I am truly grateful. Thanks everyone involved in this arts and diffability ARI [2014-2017] hopefully it will inspire others to start an ARI in the Northern Rivers and anywhen too. Here is the link to our DIY zine as community archives project is here : https://au.blurb.com/b/7460964-epicormia-collective-the-re-authoring-impulse

Artist-Run Project, Australia

Ephemeral Traces – Brisbane’s Artist-Run Scene in the 1980s

‘ephemeral traces’ provides the first introductory analysis of artist-run practice in Brisbane during the final decade of the conservative Joh Bjelke-Petersen government. The exhibition focuses on the scene that developed around five key spaces that operated in Brisbane from 1982 to 1988: One Flat, A Room, That Space, The Observatory, and John Mills National.

Drawing on artworks, documentation and ephemera, the exhibition provides a contextual account of this progressive artist-run activity, examining collective projects, publications and the spaces themselves, as well as organisations such as the Artworkers Union and Queensland Artworkers Alliance. A counterpoint to Michele Helmrich’s earlier exhibition ‘Return to sender’ (UQ Art Museum, 2012) which focused on the artists who left Queensland during the Bjelke-Petersen era. This exhibition is about the artists who stayed.

Curator: Peter Anderson:

http://www.artmuseum.uq.edu.au/ephemeral-traces-brisbanes-artist-run-scene-1980s

Read the Catalogue here:

https://issuu.com/uqartmuseum/docs/ephemeral_traces_catalogue_essay_fi?e=18873558/34748266

Art Works by Artist Paul Andrew including;

Pop/text, Featherweight, 1986 (Acrylic on John Kaldor Fabric)

pop text featherweight

Pop/text, Hotpoint, 1986 (Acrylic on John Kaldor Fabric)

pop text hotpoint

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